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ISSUE 4.2

Politics of Music in Iran

Nahid Siamdoust

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Host Malihe Razazan speaks with Dr. Siamdoust about her work and some of the most important songs that continue to define modern Iran.

Nahid Siamdoust's "Soundtrack of the Revolution: The Politics of Music In Iran"

Music was one of the first official casualties of the 1979 Iranian Revolution. Yet, even though it was banned following the establishment of the Islamic Regime, it quickly crept back into Iranian culture and politics. Even the state made use of music for its propaganda during the Iran–Iraq War. Over time music provided an important political space where artists and audiences could engage in social and political debate. Now, more than thirty-five years on, both the children of the revolution and their music have come of age. "Soundtrack of the Revolution" tells the story the central role of music in various social upheavals in Iran dating back to the constitutional revolution of 1905.

 

Listen to Nahid Siamdoust's "10 songs that define modern Iran" playlist here.

Guests

Nahid Siamdoust
Nahid Siamdoust

Researcher on the intersection between politics, culture and media in Iran and the wider Middle East.

Nahid Siamdoust is a Post-doctoral Associate and Lecturer at Yale University’s MacMillan Center for International and Area Studies as of Fall 2017. Prior to that she taught at New York University’s Steinhardt Department of Media, Culture, and Communication, and was a research scholar at NYU’s Hagop Kevorkian Center for Near Eastern Studies. After she obtained her doctorate in Modern Middle Eastern Studies at St. Antony’s College, Oxford University, she taught at Oxford as an Associate of the Sub-Faculty of Near and Middle East Studies.

Her first book, Soundtrack of the Revolution: The Politics of Music in Iran, was published by Stanford University Press in 2017.

She holds a B.A. in Political Science and Art History from Barnard College, and a Master’s in International Affairs from Columbia University.

Before returning to academia and concurrently with her studies, Nahid worked as a full-time Iran and Middle East based journalist for Der Spiegel, TIME Magazine, The Los Angeles Times, and Al Jazeera English TV.

Her academic research focuses on the intersection between politics, culture and media (music included) in Iran and the wider Middle East.

She lives with her family in Brooklyn, New York.

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