Bentley Brown is a filmmaker and musician with research interests in language and the technological mediation of memory. His fiction and nonfiction films deal largely with the psychology of cross-cultural migration and identity, particularly in his childhood home of Chad, and later experiences in Sudan, Saudi Arabia, and the United States. Prior to starting his PhD at the University of Colorado Boulder, Brown was a lecturer in filmmaking and interactive media at Effat University in Jeddah, Saudi Arabia.

He holds an MA in communication, culture and technology from Georgetown University and a BA in international studies from Emory University.

Vaughn Rasberry studies African American and African Diaspora literature, twentieth-century American fiction, postcolonial theory, and philosophical theories of modernity. In 2016, Harvard University Press published his first book, Race and the Totalitarian Century: Geopolitics in the Black Literary Imagination, recipient of the American Political Science Association's 2017 Ralph Bunche Award ("awarded annually for the best scholarly work in political science on ethnic and cultural pluralism"). His book also received a 2017 American Book Award from the Before Columbus Foundation and was shortlisted for the Christian Gauss Award from the Phi Beta Kappa Society. Race and the Totalitarian Century questions the notion that desegregation prompted African American writers and activists to acquiesce in the normative claims of postwar liberalism. Challenging accounts that portray black cultural workers in various postures of reaction to larger forces--namely U.S. liberalism or Soviet communism--his project argues instead that many writers were involved in a complex national and global dialogue with totalitarianism, a defining discourse of the twentieth century. During World War II and the Cold War, his book shows, the United States government conscripted African Americans into the fight against Nazism and Stalinism. An array of black writers, however, deflected the appeals of liberalism and its anti-totalitarian propaganda in the service of decolonization. Richard Wright, W. E. B. Du Bois, Shirley Graham, C. L. R. James, John A. Williams, and others remained skeptical that totalitarian servitude and democratic liberty stood in stark opposition. Their skepticism, Race and the Totalitarian Century contends, allowed them to formulate an independent perspective that reimagined the anti-fascist, anti-communist narrative through the lens of racial injustice, with the United States as a tyrannical force in the Third World but also as an ironic agent of Asian and African independence. His article, "'Now Describing You': James Baldwin and Cold War Liberalism," was published in an edited volume titled James Baldwin: America and Beyond (University of Michigan Press, 2011). A review essay, "Black Cultural Politics at the End of History," appears in the winter 2012 issue of American Literary History. An article, "Invoking Totalitarianism: Liberal Democracy versus the Global Jihad in Boualem Sansal's The German Mujahid," appears in the spring 2014 special issue of Novel: a Forum on Fiction. In 2015, he published a book chapter, "JFK and the Global Anticolonial Movement," in The Cambridge Companion to John F. Kennedy. He has another book chapter, "The 'Lost' Years or a 'Decade of Progress'? African American Writers and the Second World War," published in A Companion to the Harlem Renaissance (Wiley-Blackwell, 2015)